Two literary prizes for Leo D'Ambrosio, the winner for unpublished poetry UGA CARRECO of Chiavari, a jury headed by Italian Graziella Corsinovi University Genoa, and also first prize, for editing, all'Aeclanum of Avellino, jury, chaired by prof. Antonio V. Nazzaro, president of the National Society Science, Humanities, Arts of Naples, with his recent collection of poems "The Song of Erato" published by Azimut in Rome, with a preface by Maria Luisa Spaziani and a hint of Alberto Bevilacqua.
"This song has qualities of Erato. It is full of grace, is not "nice" word misleading and simplistic, combining grace and elegance of the verse states deserves to be called singing. (...) Song of Love, then, where the prevalence of empty joins the melancholy or tragedy of a millennia-old tradition of lovers always hold on slippery edge of a cup. " Maria Luisa Spaziani writes this, "Musa" the greatest poet of the twentieth century, Eugenio Montale, in the preface to the collection of D'Ambrosio.
Like the previous collection "Secret Love", translated in French "Je sleep dans ton âme", awarded in France by the 'Académie des Lettres ", with a note from the Vatican Jean Chelini, this is a collection of which the purity lyric is addressed to the song of love. The Greek Muse of love poetry, Erato, inspires, as the poet to a soft and sweet interview with the beloved, bestower of joy and torment.
"He runs to you my patience / and in the destiny of every man / is transformed into a sea of \u200b\u200bfire / and two souls touching."
"The verses of D'Ambrosio have 'their women', a figure (or set of figures), which embodies the desire for 'absolute'. A symbiosis is absolute unbroken happiness with suffering, life journey and inaction outset of death. " Alberto Bevilacqua writes in the endnote to the 52 poems that make up "The Song of Erato."
"stretched out in the evening bedraggled grape / is out of breath and death. / We are two quick / and a thousand thousand lives / for the fruit that is born."
"This song has qualities of Erato. It is full of grace, is not "nice" word misleading and simplistic, combining grace and elegance of the verse states deserves to be called singing. (...) Song of Love, then, where the prevalence of empty joins the melancholy or tragedy of a millennia-old tradition of lovers always hold on slippery edge of a cup. " Maria Luisa Spaziani writes this, "Musa" the greatest poet of the twentieth century, Eugenio Montale, in the preface to the collection of D'Ambrosio.
Like the previous collection "Secret Love", translated in French "Je sleep dans ton âme", awarded in France by the 'Académie des Lettres ", with a note from the Vatican Jean Chelini, this is a collection of which the purity lyric is addressed to the song of love. The Greek Muse of love poetry, Erato, inspires, as the poet to a soft and sweet interview with the beloved, bestower of joy and torment.
"He runs to you my patience / and in the destiny of every man / is transformed into a sea of \u200b\u200bfire / and two souls touching."
"The verses of D'Ambrosio have 'their women', a figure (or set of figures), which embodies the desire for 'absolute'. A symbiosis is absolute unbroken happiness with suffering, life journey and inaction outset of death. " Alberto Bevilacqua writes in the endnote to the 52 poems that make up "The Song of Erato."
"stretched out in the evening bedraggled grape / is out of breath and death. / We are two quick / and a thousand thousand lives / for the fruit that is born."
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